Tuesday 19 January 2016

Chinese Silence


The Relaxation Channel          You Tube 2015


The book entitled: “In Praise of Blandness” written by French sinologist and scholar Françoise Jullien is an elegant treatise on the Chinese perspective of “blandness”, as seen through the wide lenses of Daoism, Confucianism, Chinese aesthetics and the classical literature and prose of the Sung and Tang Dynasties. Although here the author chooses "blandness” as the translated term for his essay, in truth it can also be interchanged (some of the time) with similar words such as; emptiness, nothingness, void, space and so on.

Although it’s a slim manual, it’s not exactly light reading. Many times I’ve had to go back over some passage again and again, in order to get the gist of it. It can be hard work, but the rewards I’ve gained more than make up for it. The following is but one example of some of the treasures that I’ve found, in a chapter called “The Blandness of Sound”  Jullien writes: 

     “Such then, is the bland sound: an attenuated sound that retreats from the ear and is allowed to simply die out over the longest possible time. We hear it still, but just barely; and as it diminishes, it makes it all the more audible that soundless beyond into which it is about to extinguish itself. We are listening, then, to its extinction, to its return to the great undifferentiated Matrix. This is the sound that, in its very fading, gradually opens the way from the audible to the inaudible and causes us to experience the continuous movement from one to the other. And as it gradually sheds its aural materiality, it leads us to the threshold of silence, a silence we experience in plenitude, at the very root of all harmony”.

So, the next time you are deeply absorbed in a sublime piece of music, see if you can hear that soundless beyond that carries each audible note simultaneously in its manifestation and in its extinction. Maybe ultimately, both silence and sound are one and the same! At least on the meta meta level of all things, I guess.
 
I'll bet you John Cage knew this all along!

Saturday 9 January 2016

Cageian Space

John Cage tv interview                          Photo R. Allen-Sherwood 2014
Happy New Year everyone. With the start of the new year I've been re-organising my living spaces and came upon my university research file on artists who, like myself, were inspired or influenced by karesansui or Zen gardens. It was like finding a long lost friend!

                  John Cage tv interview  Ryoanji garden                    R Allen-Sherwood 2014                  
One artist who takes up a goodly chunk of the file is the late, great John Cage. His one-of-a-kind musings on sound, silence, space and life continue to inspire me to this very day. Cage also loved Zen gardens and they influenced his work for much of the later part of his life.
  
Ryoanji music score    www.soundstation.dk
Laura Kuhn from the John Cage Trust describes his first encounter with Ryoanji Zen Garden:

"Cage first visited the Ryoanji Temple and its early 16th-century rock garden in 1962, during a concert tour of Japan (Tokyo, Osaka, Kyoto, Sapporo) with David Tudor, Toshi Ichiyanagi, and Yoko Ono.

Measuring 30 x 10 meters, the garden consists of carefully raked white pebbles with 15 rocks arranged seemingly at random.  Over a period of ten years, the last decade of his life, Cage devoted himself to drawings addressing the aesthetic order of the complex that is revered in Japan as a perfect depiction of nature".

Courtesy of John Cage Trust
I chose several of his "R= Ryoanji" drawings for my undergraduate dissertation on  Space, Form and Emptiness:The Influence of Japanese Zen Rock Gardens on Eastern andWestern Art.  It was
 a hit as many people did not know he was also a visual artist as well as music composer.


www.discogs.com

In 2016 I am looking forward finding more space/mind changers in my continuing investigations into the meaning of space, self and nothingness Hi ho Silver!